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Showing posts with label celebrities. Show all posts
Showing posts with label celebrities. Show all posts

Wednesday, September 25, 2013

Escape all pressures


Author and actor John Cleese had it right: "You can't become playful, and therefore creative, if you're under your usual pressures." What can you remove to feel less pressured?
This is a great quote from one of the great author, and actors. And what he is trying to say to find a way, to escape your pressures that you may have on a daily basis. For instance, your daily pressures could be work, kids, wife/girlfriend, or even parents. Whatever it may be, find out when your next day off from work is, or when are the kids are not going to be around you for the moment, or when are you going to see or be with your wife, or girlfriend again. Those things could be stress relief as well. Another example is when I started to see my latest girlfriend, when we started seeing each other. I would come up from Maryland, to Pennsylvania to see her. I would mostly come up when we didn't have neither of our kids were around (not like we didn't want them around or anything just a some time away from them.) I had noticed that I had a lot of stress was taken away from being with her. And was able to release a lot of my creativity that way.

Wednesday, September 11, 2013

Breaking Into The Music Business Today


Breaking Into The Music Business Today
By Mika Salmi, CEO of creativeLIVE.
Whether you love making music, or love listening to it, there are now more ways than ever to break into the music business.
It's been 14 years since Napster emerged, marking the start of an industry-wide revolution. Today, more music is being made and listened to than ever before, and the flow of both money and opportunity has changed radically.
Once upon a time, six major record labels controlled the music business. Now there are only major three labels — and they don't control the industry like they used to. With the traditional gatekeeper model all but destroyed, what opportunities are available to the aspiring musician or manager?
Musicians As Entrepreneurs
In the past, if you were a musician, getting signed to one of these labels was your only goal (okay, besides sex and drugs). That's not because it was easy to do; it was straightforward. The only way to make it big was to land a major deal with a major label.
Today, as an artist, you have a multitude of options — all starting and ending with your own bare-bones initiative. You can create music in your bedroom and distribute it directly via online platforms like Beatport or Soundcloud. You can play it like Macklemore did and spend years on the road, playing hundreds of live shows, building a fan base that will eventually fill arenas and land you on Billboard charts. You can try the old (and hardest) way and sign to a label. Or you can do all three.
Your path depends, first, on your talent and, second, on how much control you want over your career. Today, musicians have choices that hardly existed pre-Napster. You can now decide.
Music Fanaticism Is Now a Career Path
If you are not a musician but a music junkie like me, your only option in the past was to get a job working for a record label. These jobs were in short supply so they were hard to get, but you once your were "in", you were set. And then sometimes you'd have career-defining moments like I did, when I discovered the Nine Inch Nails back in 1988.
Today, after a few decades running music and entertainment companies, I'm the CEO of creativeLIVE, an online education company. And guess what channel we just launched, because we see such a huge opportunity? Music.
If you are a music fanatic, you have as many choices as the artists themselves. You can go work for a technology-based music company like Spotify or Pandora (there are hundreds of these companies popping up every day) as a product manager, engineer, or in business development. Or, you could choose to work at an ad agency or media company sourcing music for commercials and TV and movie soundtracks (many, many companies here too). Or, you can go work for a label and help them figure out how to stay relevant in this ever-changing industry.
Anyone Can Try to Make a Career in Music
Alternatively, whether you see yourself as a music artist or a music fanatic, you can now learn how to make music on your computer. creativeLIVE is bringing a world-renowned DJ, Big Chocolate, in to show you how to make Electronic Dance Music (EDM) tracks in Ableton Live. EDM is the hot thing right now, permeating all genres.
Due to the democratization of the industry over the last two decades, music is alive and well and the opportunities are numerous. The days of being a "cigar-smoking fat cat music exec" are pretty much gone, but the music lives on. Music "careers" are now more creative and exciting, taking a number of shapes, both on the artist side and the business side.
Whether you are an aspiring musician, a marketer, a deal maker, or a coder, there are more, and, in my opinion, better opportunities today to follow your passion for music and make a good living doing so.
Former label exec, current Incubus manager, and all-around man-in-the-know, Steve Rennie will be on creativeLIVE on September 12 teaching a workshop about networking. While the landscape of the music business is constantly changing, one thing remains the same: it's all about who you know. Steve is a candid and insightful expert who has seen it all and managed to stay both relevant and honest.
Hisham Dahud is a Senior Analyst for Hypebot.com. Additionally, he is the head of Business Development for Fame House and an independent musician. Follow him on Twitter: @HishamDahud

Saturday, September 7, 2013

Hip Hop Marketing At The Strip Club


Hip Hop Marketing At The Strip Club

Strip-clubThe Wall St. Journal takes a look at hip hop music marketing through Atlanta strip clubs featuring dj collective Coalition DJs. Strip clubs are a marketing staple for Southern hip hop with djs getting paid to play singles ideally at the peak of the evening. Apparently Coalition DJs are a dominant force in the current Atlanta scene with a well-developed approach for helping break records.
Hannah Karp, writing for The Wall St. Journal, covers territory that I've long found of interest. Karp focuses on Coalition DJs:
"The Coalition DJs were assembled in 2008 as the brainchild of Atlanta music exec, Xavier Hargrove (DJ Big-X). After nearly 10+ years of watching DJ Funky, DJ X-Rated, and DJ Fernando establish their names individually via popular Atlanta gentlemen’s clubs such as Jazzy T’s, Strokers, and Magic City, X felt that combining their efforts would make them a force to be reckoned with in Atlanta’s booming urban nightlife and music scene."
A lot of what Karp describes Coalition DJs standardizing draws on various elements they must have been observing in the clubs. For example, I wrote a piece for ProHipHop in 2006 that drew on sources describing special music nights, fees and even a feedback process.
Karp describes a similar scenario in which Coalition DJs screen applicants, give feedback and feature the music in clubs, often at special nights.
But there's obviously more to the story here. Music from major label artists is also being promoted through strip clubs by major labels and individual artists are also going direct to dj.
So that would suggest that individuals and groups like Coalition DJs have a more complex array of deals, side deals, etc. all possibly within the bounds of group and individual agreements and, according to Karp, fair play as long as they don't have radio shows.
Fascinating to consider, strip club marketing also offers a real world activity that surfaces on the web but can't be replaced by the web.
Personal comments:
Ok yes I thought this was a crazy article when I first saw too, but yet alot make sense. I know this won't work in every strip club. But it might take some time for to catch on.

Saturday, August 17, 2013

Want a record deal? Here is what you need to do. (Music clout.com)


Want a record deal? Here is what you need to do.
Want a record deal? Here is what you need to do.
To get signed, it used to be enough to simply have a talent and bump into the right person, or by sending your demo into a label, but not any more.
With the changing landscape of the recording industry, A&R’s are a lot more hesitant to sign unknown acts, so unless you can prove to the record label that there’s a good chance they’ll recoup the money they invest in you, its very unlikely you are going to get signed.
So, what are A&R’s looking for when they’re getting ready to potentially sign someone? Here are a few things you can to do to increase your chances of getting their attention.
1. Having an amazing draw at your shows
If you want to get a record deal, you need to prove that you can draw in big crowds to your shows. These crowds pay for tickets and show up at all your gigs. They buy your merchandise, sing along to your lyrics, and go home and tell everyone how amazing you are. These are the type of fans every label likes to see.
2: Sell Units (Physical or Digital)
As well as selling out live shows and making good money on merchandise, another thing record labels want to see is you selling units. This shows that people are willing to support you, and your fan base is still willing to spend money on your music. You won’t be expected to sell anywhere near the amount that major artists do. Record labels realise that there’s only so much promotion you can do as an independent artist. Despite this, they do want to see some numbers. If you can prove you can sell a good amount of songs, A&R’s will be more interested considering you for their label.
3: Have a big, engaged fanbase.
Having large numbers is a good thing, but not enough by itself. Having a large number of Twitter followers for example, who never retweet you or mention you in their feed, is ultimately worthless. If you have 17,000 people on your mailing list, but no one reads any of your emails for example, your list is pretty much garbage. The goal is to build a big, loyal and engaged fan base. Anything less, you’re just wasting your time.
Check out Music Clout’s list of record labels currently considering new artists for representation.
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Thursday, August 15, 2013

Ryan Leslie Talks About Mastering The Craft & Going Independent [VIDEO]


Ryan Leslie Talks About Mastering The Craft & Going Independent [VIDEO]
Record producer, singer-songwriter and multi-instrumentalist Ryan Leslie knows a thing or two about attracting an audience with media rich content. Not only does he completely produce and engineer his own records playing each and every instrument, his latest album “Les is More” has the artist producing and directing full-scale music videos to each song on the album – making the experience a complete visual album. Back in mid-2010, the artist parted ways with his former label Universal Motown to begin life as an independent artist, rapidly attaining a growing fan base on his terms.
During his tranisition from a major to an independent, Ryan Leslie (who graduated from Harvard Univeristy at age 19) picked up a few lessons along the way. In the video below, Leslie tells of the importance of mastering one’s craft and the art of the live performance, relateing it all to today’s independent music hustle.
Hisham Dahud is a Senior Analyst for Hypebot.com. Additionally, he is the head of Business Development for Fame House and an independent musician. Follow him on Twitter: @HishamDahud

Tuesday, July 16, 2013

Jay-Z is right: Most Rappers Are Lying About Their Money


Jay-Z Is Right: Most Rappers Are Lying About Their Money
By Allison McCann
July 09, 2013 1:19 PM EDT
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Fresh off of Jay-Z’s new album is the track Versus, on which he chides fellow hip-hop artists and their dubious tales of extraordinary wealth: “The truth in my verses, versus, your metaphors about what your net worth is.” Like Jay-Z, we’ve long been skeptical of just how wealthy some hip-hop stars claim to be, so we created a way to separate the truly rich from the loud-mouth lyricists.
Scroll over each bar in the chart below to compare specific lyrics with data from Forbes’s “Cash Kings of Hip Hop” and “Forbes Five” reports from the same year the given artist’s wealth-related rap song was released. You’re welcome, Hova.
Personal Note: There are charts to look at on the bottom of this blog.

Saturday, June 29, 2013

Samsung Buys 1 Million Copies Of Jay-Z New Album “Magna Carta Holy Grail” [VIDEO]


Samsung Buys 1 Million Copies Of Jay-Z New Album "Magna Carta Holy Grail" [VIDEO]
In a deal that sources put at $5 million, Samsung has purchased 1 million copies of Jay-Z’s next album, entitled “Magna Carta Holy Grail”. A million Samsung Galaxy smartphone users will receive a free copy on July 4th, 72 hours prior the official release. It's not yet clear that these million copies will count towards Jay-Z's first week positions on Billboard's Nielson Soundscan charts. The rumored $5 per copy price would theoretically allow the business savvy star to qualify, virtually guaranteeing a #1 debut.
"We need to write the new rules."
click on image to enlarge
Samsung owners will receive “Magna Carta Holy Grail” via an app, which can be downloaded starting June 24th. It will offer what the company calls an "unprecedented inside look into the album personal stories and inspiration" and unlock the album for play on July 4, three days before it officially goes on sale for the non-Galaxy owning world.
The new album and the Sunsung deal were unveiled with this three minute commercial debuted during the NBA Finals on Sunday. In the video and accompanying site Jay-Z repeats the theme that the internet has changed everything, and thus, "We need to write new rules."
Bruce Houghton on 06/17/2013 in Major LabelsMusic 2.0, Music Business | Permalink

Billboard reminds how antiquated their charts are with rejection of 1m Jay-Z Samsung albums


Billboard Reminds How Antiquated Their Charts Are With Rejection Of 1M Jay-Z Samsung Albums
The rules are the rules; or at least that's what Billboard Magazine decided when eliminating the 1 million albums that Jay-Z is distributing free to Samsung users from chart calculations. The decision, which netted Jay-Z a rumored $5 million, could cost the rapper/entrepreneur a spectacular #1 debut, as well as, a multi-platinum award for his wall.
While Billboard Editorial Director Bill Werde laid out the magazine's reasoning logically and thoughtfully, he also unknowingly reminded everyone that, despite some innovation, Billboard's charts are relics of another era.
For while Billboard's rules are Billboard's rules, the success or failure of Jay'Z's new album is far more about fan reaction and play counts, than it is about traditional sales.
In letter published to today, Werde wrote:
"...it wasn't as simple as you might think to turn down Jay-Z when he requested that we count the million albums that Samsung "bought" as part of a much larger brand partnership, to give away to Samsung customers. True, nothing was actually for sale - Samsung users will download a Jay-branded app for free and get the album for free a few days later after engaging with some Jay-Z content. The passionate and articulate argument by Jay's team that something was for sale and Samsung bought it also doesn't mesh with precedent."