hayes inc productions on amazon.com

Showing posts with label kickstarter. Show all posts
Showing posts with label kickstarter. Show all posts

Friday, August 1, 2014

Musician-director offering masks from 'Halloween,' crosses from 'House of 1000 Corpses' and the chance to see singer in concert for life

Rob Zombie Talks Insane Clowns and Crowdfunding His New Film '31'

Musician-director offering masks from 'Halloween,' crosses from 'House of 1000 Corpses' and the chance to see singer in concert for life

Rob Zombie
Courtesy Rob Zombie
July 31, 2014 9:55 AM ET
Rob Zombie, who has directed movies like Devil's Rejects and two Halloween films, was uncharacteristically uneasy at first with the idea of crowdfunding a movie. But that went away once he realized it was a quid-pro-quo tradeoff. On Thursday, the director launched a campaign to fund his next movie 31, offering the sorts of rewards he knows his fans want. "People have come up to me over the years and asked, 'How can I get these props?' 'How can I come to the set?'" he tells Rolling Stone. "So I realized a crowdfunding campaign is not a guy on a street corner with a hat asking for money."
Over the next two months, Zombie is looking to raise funds for the film via his new website RZ-31. The director is offering up a variety of high-quality rewards to people who want to support the movie, including autographed posters, a chance for Zombie to follow a winner on Twitter, a winner's name in the credits, a lifetime laminate to see Zombie on tour at any show and a gig as an extra in 31. Zombie will also offer selected props from his movies, including Halloween masks and giant crosses from House of 1000 Corpses.
The movie tells the story of five people kidnapped in the five days leading up to Halloween and how they must fight to survive in a place called Murder World playing the game "31." The game's rules require the kidnapped person to kill his or her opponent – a group of clowns called "the heads" – in 12 hours to be freed.
"I've noticed with all of the movies I've made that so many people get tattoos from the movie," Zombie explains. "When you love something so much, you just want to be a part of it. And that's what I think about this crowd-funding campaign – you can be a part of it." Rolling Stone spoke to Zombie about 31 and coming around to crowdfunding.
How did you get the concept for 31?I was reading this statistic: Halloween is the Number One day of the year when people go missing for some reason. I thought, "What an interesting premise for a film." This is five people that go missing on each day leading up to Halloween and what happens to them on the 31st.
Clowns are a big part of that, apparently.In some fashion, yeah. Very horrible, disgusting, violent, despicable clowns, which people seem to hate.
Are you scared of clowns?
Maybe when I was a baby or something. I remember seeing this Super 8 footage that my parents made of me at the grand opening of McDonald's or something. I was a little older than a baby and Ronald McDonald was there, freaking the fuck out of me. I didn't even know it was a clown. It was just a guy with a white face and bright red hair, and a stranger. So I was not too happy. [But] I've never had a fear of clowns. I find clowns fascinating. On one level, they're very entertaining and on another, they're incredibly repulsive.
You've said you want this movie to be gritty. Why gritty?
With each film, I try to adapt the style that I feel is applicable to the story. A gritty approach didn't fit the story of my last film, Lords of Salem. I wanted to do something that was a little more grand; a little cleaner cinematically. For this, I feel like a very nasty, gritty, guerilla-style approach to the filmmaking fits the story and the vibe of the movie.
How far into the production are you? Is the script done?
Yeah, that's done. We're going to start location starting in about a week. We're moving along. Movies have only two speeds: painfully slow and "now you're behind schedule." Right now, we're in the slow phase.
Do you have a cast?
No, we haven't started that yet. But we'll get on that pretty soon.
What is the coolest reward in the crowdfunding campaign?
Getting your name in the credits. If there was a time where someone told me, "Your name can be forever in the credits of­ Star Wars," or whatever, I'd be like, "Fuck yeah." That's pretty rad.
You're offering masks from your Halloween. How many of those did you make?
They're from one scene in the film, and I don't know how many were made exactly. Maybe there were a couple hundred. Each one was one of a kind. They're all handmade. At this point, some were destroyed in the making. Some were lost. I gave some away to people, because it was a cool parting gift when we ended the movie. But there are about 50 that I have left over.
You're also giving away some big cemetery crosses from House of 1000 Corpses. Where do you store those?
I have a huge warehouse, because I need a place for my stage shows from the tours. We were cleaning it out and I found this huge crate filled with these crosses. They've been sitting there since 2001 at least. It's a cool thing to get. If I was a big fan of, say, Texas Chain Saw Massacre, and someone said, "We just found the original chainsaw. Anyone want to buy it?" it would be like that for me.
Another reward is a painting you did of a clown. How much painting do you do?
I went to school for painting when I graduated high school. I paint now more than ever. I've just been doing a bunch of clown designs and trying to work out the makeup.
Beyond the movie, are you working on a new record?Yeah, I'm in the studio right now. I got off tour a few days ago, and right now I'm already working on the new album, which we'll have finished this year. I want to have it done before the movie starts. I don't want to come back to the record after the movie. It's too long of a break. We have a ton of stuff written and, little by little, we're finishing them up. We're more than half done at this point.
Lastly, are you at all concerned about giving away a lifetime laminate to your concerts?
It does sound funny, right? "Lifetime Laminate." I see so many people who come up to me and say, "This is the 25th time I've seen you guys." I figure that makes sense. We still have many, many years left of touring. You can go, "Hey, why rush to buy a ticket? I'm getting in anyway. It's sold out? Not for me!"
What band would you want a lifetime laminate for?
Well, at this point with the ticket prices, the Rolling Stones would be nice.


Read more: http://www.rollingstone.com/music/news/rob-zombie-talks-insane-clowns-and-crowdfunding-his-new-film-31-20140731#ixzz39CC4SDMd 
Follow us: @rollingstone on Twitter | RollingStone on Facebook

Sunday, May 25, 2014

AUUG Motion Synth turns iPhone into motion-controlled instrument

AUUG Motion Synth turns iPhone into motion-controlled instrument
21st Nov 2013
Convert motion to music with emerging new app
Developers AAUG are seeking funding for a novel new idea: a hardware/software combination that allows users to make music simply by manoeuvring their iPhone through the air.
The AUUG Motion Synth requires users to wear an aluminum wristband, which holds the screen of your device handily near the fingers while controlling its orientation (and stopping you from dropping it).
Then, the software: the AUUG Motion Synthapp tracks your movements (via your iOS device's inbuilt sensors) and turns the motion data into signals for shaping sound.
In addition, there is the AAUG cloud: an online service that allows users of this setup to share presets.
AUUG are seeking a modest $70,000 to develop the Motion Synth, with prices for early backers from $68. For more information, visit Kickstarter.
Here is the You Tube video:

Saturday, September 7, 2013

Not All Musicians Are Entrepreneurs, But Successful And Professional Ones Are


Not All Musicians Are Entrepreneurs, But Successful And Professional Ones Are

Lemon-bulbGuest post by Julian Weisser (@iamweisser), CCO of Bottoland writer of Ideas then Lemonade.
Most of my days are spent working on the business and communications end of the music and technology industries. Because of my immersion in these areas I tend to read and absorb many ideas, concepts, and philosophies. They are all mainly related to doing business in a global ecosystem based around innovation and constant iteration as a startup. I have found the core concepts to be remarkably transferable to many industries and buyer/seller relationships.
Sometimes musicians ask me for advice on the business end of what they are trying to do. Admittedly, my advice is sometimes not even solicited but I give it anyways. One thing that troubles me is when very talented players tell me that they are not entrepreneurs. They say they are professional musicians. If you want to have success in this intense musical landscape you must be able to think like an entrepreneur or be willing to pay the team of people that can do that kind of thinking and ideation for you.
Irish-French economist Richard Cantillon defined the entrepreneur as “someone who engages in exchanges for profit; specifically, he or she is someone who exercises business judgment in the face of uncertainty.” The emphasis of this definition should be placed on the word “uncertainty.” Few things are less certain than what will become popular in the music industry. There is no formula for success and the pathways to that rare sliver of spotlight are numerous. Forget uncertainty, the music industry is very unpredictable but this actually presents enormous opportunity to those that know how to look at this kind of landscape through the correct lens: that of an entrepreneur.
I try to help musicians train their way of thinking so that they realize the broad scope of their actions and how easy it is to pivot and change direction when needed. When they are starting out, the risk of damage from a failure is nearly zero. This means they should observe how the fan/user reacts while they constantly improve things and are open to new ideas and directions. This is a core component of what makes up a lean startup; a term coined (and trademarked) by Silicon Valley entrepreneur Eric Ries. It’s a development philosophy used by everyone from Jeff Bezos of Amazon.com (where you canbuy Lean Startups) to Mark Zuckerberg.
There is no reason for a band with a few hundred FB likes not to continually put out new material and see how the followers react and what gets them talking and sharing with their friends. If you are reading this article and you think you have an established audience you likely do not. Don’t feel bad because very few do. If you intelligently develop and improve based on your observations you will certainly gain fans but better yet you will have an understanding of who they are and why they like you.
Amanda Palmer recently spoke at Rethink Music about the freedom she has with no label and the stronger relationships she can build in the new industry with those that enjoy her music. "I don't like using the term ‘fans’ with my fans,” stated Palmer while discussing her listeners, “it starts to feel patronizing sometimes." Amanda Palmer has developed a large but tight-knit community around her music by being very open to "fans" on her Twitter account and blog. This falls directly in line with a thesis from the Cluetrain Manifesto that “markets are conversations.”
Those that have meaningful conversations with their listeners/fans/customers (take your pick while being mindful of the baggage associated with each) will have created the strongest bond and most emotionally invested stakeholders. This emotional investment creates evangelists, your best way of acquiring new listeners and your true backers. Gone are the days of labels investing money in experiments. If you can develop an organic following through constantly tweaking and communicating with those that care you will find immense support that is not hollow. As of this publication Amanda Palmer has raised $563,607 from 10,271 fans for a new album, art book and tour on Kickstarter. Unlike 10,271 typical investors that would care most about the financial success of the project they were funding, these fans care first and foremost about the experience they will be able to help Amanda Palmer create. Palmer talks to her fans constantly and they trust that she will be able to give them something they will love and value.
“Entrepreneur” is a French word but I assure you it is not a dirty one. If you are a musician interested in making that into your full-time job I suggest you consider yourself an entrepreneur. You are about to embark on the most uncertain and imprecise mission of your life and the bumps and bruises will be the lessons that make the biggest impact on how you proceed forward. Remember that the risks are usually much lower than they initially seem and that a meaningful conversation and constant improvement are key.