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Showing posts with label analysis. Show all posts
Showing posts with label analysis. Show all posts

Friday, August 1, 2014

Musician-director offering masks from 'Halloween,' crosses from 'House of 1000 Corpses' and the chance to see singer in concert for life

Rob Zombie Talks Insane Clowns and Crowdfunding His New Film '31'

Musician-director offering masks from 'Halloween,' crosses from 'House of 1000 Corpses' and the chance to see singer in concert for life

Rob Zombie
Courtesy Rob Zombie
July 31, 2014 9:55 AM ET
Rob Zombie, who has directed movies like Devil's Rejects and two Halloween films, was uncharacteristically uneasy at first with the idea of crowdfunding a movie. But that went away once he realized it was a quid-pro-quo tradeoff. On Thursday, the director launched a campaign to fund his next movie 31, offering the sorts of rewards he knows his fans want. "People have come up to me over the years and asked, 'How can I get these props?' 'How can I come to the set?'" he tells Rolling Stone. "So I realized a crowdfunding campaign is not a guy on a street corner with a hat asking for money."
Over the next two months, Zombie is looking to raise funds for the film via his new website RZ-31. The director is offering up a variety of high-quality rewards to people who want to support the movie, including autographed posters, a chance for Zombie to follow a winner on Twitter, a winner's name in the credits, a lifetime laminate to see Zombie on tour at any show and a gig as an extra in 31. Zombie will also offer selected props from his movies, including Halloween masks and giant crosses from House of 1000 Corpses.
The movie tells the story of five people kidnapped in the five days leading up to Halloween and how they must fight to survive in a place called Murder World playing the game "31." The game's rules require the kidnapped person to kill his or her opponent – a group of clowns called "the heads" – in 12 hours to be freed.
"I've noticed with all of the movies I've made that so many people get tattoos from the movie," Zombie explains. "When you love something so much, you just want to be a part of it. And that's what I think about this crowd-funding campaign – you can be a part of it." Rolling Stone spoke to Zombie about 31 and coming around to crowdfunding.
How did you get the concept for 31?I was reading this statistic: Halloween is the Number One day of the year when people go missing for some reason. I thought, "What an interesting premise for a film." This is five people that go missing on each day leading up to Halloween and what happens to them on the 31st.
Clowns are a big part of that, apparently.In some fashion, yeah. Very horrible, disgusting, violent, despicable clowns, which people seem to hate.
Are you scared of clowns?
Maybe when I was a baby or something. I remember seeing this Super 8 footage that my parents made of me at the grand opening of McDonald's or something. I was a little older than a baby and Ronald McDonald was there, freaking the fuck out of me. I didn't even know it was a clown. It was just a guy with a white face and bright red hair, and a stranger. So I was not too happy. [But] I've never had a fear of clowns. I find clowns fascinating. On one level, they're very entertaining and on another, they're incredibly repulsive.
You've said you want this movie to be gritty. Why gritty?
With each film, I try to adapt the style that I feel is applicable to the story. A gritty approach didn't fit the story of my last film, Lords of Salem. I wanted to do something that was a little more grand; a little cleaner cinematically. For this, I feel like a very nasty, gritty, guerilla-style approach to the filmmaking fits the story and the vibe of the movie.
How far into the production are you? Is the script done?
Yeah, that's done. We're going to start location starting in about a week. We're moving along. Movies have only two speeds: painfully slow and "now you're behind schedule." Right now, we're in the slow phase.
Do you have a cast?
No, we haven't started that yet. But we'll get on that pretty soon.
What is the coolest reward in the crowdfunding campaign?
Getting your name in the credits. If there was a time where someone told me, "Your name can be forever in the credits of­ Star Wars," or whatever, I'd be like, "Fuck yeah." That's pretty rad.
You're offering masks from your Halloween. How many of those did you make?
They're from one scene in the film, and I don't know how many were made exactly. Maybe there were a couple hundred. Each one was one of a kind. They're all handmade. At this point, some were destroyed in the making. Some were lost. I gave some away to people, because it was a cool parting gift when we ended the movie. But there are about 50 that I have left over.
You're also giving away some big cemetery crosses from House of 1000 Corpses. Where do you store those?
I have a huge warehouse, because I need a place for my stage shows from the tours. We were cleaning it out and I found this huge crate filled with these crosses. They've been sitting there since 2001 at least. It's a cool thing to get. If I was a big fan of, say, Texas Chain Saw Massacre, and someone said, "We just found the original chainsaw. Anyone want to buy it?" it would be like that for me.
Another reward is a painting you did of a clown. How much painting do you do?
I went to school for painting when I graduated high school. I paint now more than ever. I've just been doing a bunch of clown designs and trying to work out the makeup.
Beyond the movie, are you working on a new record?Yeah, I'm in the studio right now. I got off tour a few days ago, and right now I'm already working on the new album, which we'll have finished this year. I want to have it done before the movie starts. I don't want to come back to the record after the movie. It's too long of a break. We have a ton of stuff written and, little by little, we're finishing them up. We're more than half done at this point.
Lastly, are you at all concerned about giving away a lifetime laminate to your concerts?
It does sound funny, right? "Lifetime Laminate." I see so many people who come up to me and say, "This is the 25th time I've seen you guys." I figure that makes sense. We still have many, many years left of touring. You can go, "Hey, why rush to buy a ticket? I'm getting in anyway. It's sold out? Not for me!"
What band would you want a lifetime laminate for?
Well, at this point with the ticket prices, the Rolling Stones would be nice.


Read more: http://www.rollingstone.com/music/news/rob-zombie-talks-insane-clowns-and-crowdfunding-his-new-film-31-20140731#ixzz39CC4SDMd 
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Saturday, April 5, 2014

5 ways to make a good track great


5 ways to make a good track great

Have you ever been in the position where you’ve got a good tune and you’re happy with it, but think it needs that extra something to make it stand out?

Well here are 5 tips for turning that good tune into a great one.
1. Add in FX
Make sure you’ve got enough distance from the track (I like to leave it a day or so before adding the FX on) so you’re not already exhausted from creating the track, then get to work adding in some reverses, sweeps, hits and other one-shots.
They can make dull phrases more interesting, builds more powerful and fans think you’re more awesome. FX are vital for a full, professional sound.
2. Go through inserting fills

When you need something more interesting to make a repetitive section maintain the listener’s attention, fills are the way to go! Drum fills, little melody quirks and the ever-useful “throw a random sample in there and hope for the best” technique all apply; just be sure to make your track fun to listen to!

Don’t be inappropriate though – this goes for public nudity as well as maintaining musical integrity, but if you have a trance song, sometimes it’s good to have a lot of repetition, for example, in order to entrance your listener. Find that balance that suits the style of music you want to make!

3. Remove unnecessary layers

Have you ever found your tracks swimming in pads, arps and keys? I know I’ve been guilty of it in the past – sometimes you need to remove a few layers, no matter how attached you are to them, in order for the remaining layers to shine.
This can result in the wonderful side effect of having a starting point for another song; if a part you really like is removed, take it into a new project and push it in its own direction!

4. Add extra layers of vocals

For those of you playing with words as well as sounds, it’s always adviseable to back up your vocals with double tracks and, more importantly, harmonies. Software like Melodyne Editor is great for this if you’re using vocal samples, since then you don’t need to get the vocalist in to record again!
5. Get some more opinions
There’s nothing like communal music making! Show your tune to a mate, musically inclined or not, and ask them if they thought anything might be an interesting change, or if any sections should be more prominent!
Just make sure they don’t ask for co-writing credits!

- Posted using BlogPress from my iPhone

Thursday, October 24, 2013

Start Over


If you threw out everything you've worked on so far, what would you do next? If you got rid of all of your ideas and inspiration and research and had to start from scratch, what would it look like?
First and foremost, I will be very pissed off if this was to ever happen. But you have to maintain your composure.
1. Search, and see if you had kept notes: If you had to start from scratch, make sure that kept notes prior to losing everything. Cause you may not have to start from complete scratch. You could start from where you were, or not as far.
2. Remember what you had done, and go from there: If you remember what you have done prior, would shed some light from what you were doing. Also, like the first point if you can remember you may not have to start competely from scratch.
3. Take a little break: Take a little break, a breather from everything. Reconsolidate everything that you had done, KEEP NOTES this time around so won't have to do the same thing again.
4. Make a gameplan or plan of attack: Now since you might, might not have taken a little break, and gotten yourself together. Reanalyze, and plan what your going to do to start over, and execute your plan. You never know it may be what you might need to break where you were stuck at. Or maybe not, see what happens. Hopefully you may not need to go through this.

Wednesday, October 2, 2013

Talk with yourself


Find a few minutes to sit down somewhere quiet and talk to yourself about being stuck. What is preventing you from moving forward? Are you afraid of something? How do you feel about your situation?
I can definitely relate to this one "no doubt about it." LOL!!
Ok this was a habit that I still use today. I actually got this habit from my mother. She would from time to time when I was a kid, of course when she thought she was by herself in a room. But she would actually have a conversation with herself, she wouldn't answer herself. But yet still have a full-blown conversation with herself. And after a while of this going on. I to had picked it up, and let me tell you. This actually had calmed down over situations that had made me mad, angry, sad, disappointed, and etc. And for years, I would say that "I'm my own best friend." Which I still believe today. I had friends and everything, but from time to time I couldn't get a hold of them. So what I would do is console myself for guidance and stuff like that. Yea so getting back to the creative idea here. So if this is your first time doing this. Look at it this way. Your not going crazy or anything, this is like you are talking your friends, co workers at work, or your business partners just making sure that you are making the best decisions for yourself, and so forth. So give it a go. It may seem like your going crazy but you're not. It's worth it, give it a try.

Saturday, August 24, 2013

Heyku post 5

20130823-055811.jpg

This is a relaxing post before I went work. That's all.

Gather Items

Take a few minutes to gather physical objects, then experiment with ideas involving each item. What if you combined items? What if you took a piece from one item and added it to another item?

I think what anyone should with this idea is to gather any, or everything that proteins to the subject matter of what you're working on. And then mess around with the items and see whatever you can come up with. And see how that works, anything is possible combinations, single ideas, anything that your imagination can come up with try it out.

Saturday, June 29, 2013

Barter for progress


Work a deal out with a friend or co-worker where they give you something if you accomplish what it is you need to do. It can be anything from buying you a cookie, to cooking you dinner.
This is a common goal that is always done at anywhere in the workplace, or even out of it.  So basically, look at what you need to be done, and realize what you might need to be done in the future. And ask the same person that you had helped before to help you out. This can be used to make a friend in or out of work.

Start at the end


Ask yourself: "what affect would it have if I was finished with this?" If the project or problem you are currently faced with were finished and you were to look back at it, what would you ideally change?
Finding yourself in a jam, and not exactly sure what to, look at it as if the project is finished and done, and see what you had accomplished and then find what had went wrong, and how they all could be changed. And then go back and fix the problem. At least if you start at the end, and look at the problems in the beginning and finding a solution to solve the problem.

Reverse brainstorm


Reverse what it is you're trying to do and list out ways you could achieve it. Then reverse your problem ideas to see if any stand out as solutions to your original problem.
Just reverse the process of how you want to achieve your idea and see if there is anything that sticks out that you didn't think of before that might have changed your idea any.

Emphasize your flaws


What are your personal flaws? If you don't know, ask someone. Then evaluate what happens if you take your flaws and emphasize them in your situation or problem.
Just sit down with yourself, and really, really no lying to yourself!! I emphasize on that especially because its not goin to work if you be honest to yourself. And realize what happens when certain things happen. And do what you have to do make it better for yourself and the situation.

Arguing the Case for Buying Vinyl at Urban Outfitters


Arguing the Case for Buying Vinyl at Urban Outfitters
Chris Chafin, writing for The Village Voice, presents a number of reasons why it's ok to buy vinyl at Urban Outfitters even if you're concerned about CEOs donating to right wing causes, national chains competing with local record stores and the work of independent designers being blatantly plagiarized by corporate entities.
To the first he simply says, hey, other companies someone like you probably support have right wing connections. Which isn't very convincing but, then again, not all lovers of vinyl are on the left or take a liberal stance, whatever that means these days.
To the second, he turns to individuals with indie cred, I assume, from Sub Pop Records and Redeye Distribution who say, hey, we're making money off Urban Outfitters and they're as legit as any other record outlet. Since Urban Outfitters is said to be big buyers of vinyl, then the "work they're doing to support artists and labels likely offsets any harm they're doing to small record stores."
I imagine many would find that line of reasoning acceptable while others would strongly disagree. Here in Asheville, NC, where I currently reside, we have three indie record stores featuring vinyl in a city of less than 90,000 and, given the apparent demographic makeup of local shoppers at Urban Outfitters, one could make the case that Urban Outfitters is expanding the market for vinyl.
Urban Outfitters' History of Ripping Off Indie Designers
But, if you feel that vinyl represents something more than a revenue stream and that indie designers deserve to make a living as much as indie musicians do, then you should consider Urban Outfitters' history of ripping off such designers.
I first wrote about the topic a couple of years back for a local fashion blog in a piece titled "Boycott Urban Outfitters for Ripping Off Indie Designers."
In that blog post I shared the tale of a designer whose necklace, item name and copy were all blatantly ripped off. I also linked to a number of other examples from 2010 and 2011 that establish a clear pattern:
Urban Outfitters Rip-Off Artists
Urban Outfitters’ rip-off goonies strike again
Urban Outfitters Steals Johnny Cupcake Concept
For Urban Outfitters, it’s bling there, done that
Are Brooklyn Fashion Designers Being Ripped Off by Urban Outfitters?
A Google search for urban outfitters rip off artists limited to the past year shows that this topic is an ongoing theme.
Go For Self or Take Responsibility for One's Actions?
Over the weekend I checked out the modest vinyl display at downtown Asheville's Urban Outfitters. It held a combination of classic albums from such artists as The Beatles and The Fugees as well as contemporary albums from Justin Timberlake and The Civil Wars, among others.
While one might argue with individual selections, overall it was a smart mix of classics and contemporary albums that might or might not become classics but would probably register as such to Urban Outfitters' clientele.
It wouldn't surprise me if sales are good. These are the kinds of albums many might choose to display whether they played them or not.
So I can see why distributors of such products are happy about this development.
But I believe that if one feels that indie musicians are worth supporting then one should extend that same support to artists in other fields.
Where do you stand?
Hypebot Senior Contributor Clyde Smith (@fluxresearch/@crowdfundingm) also blogs at Flux Research and Crowdfunding For Musicians. To suggest topics for Hypebot, contact: clyde(at)fluxresearch(dot)com.

Friday, June 7, 2013

Copy someone else’s idea


Find someone else who has created a solution you like, then copy it with your own style. As Jean-Luc Godard once said: "It's not where you take things from, it's where you take them to."
Oflow
Taking someone's idea and making it your own. Without taking the idea with no changes and making what someone else did yours. Be creative and make some changes to someone else's idea.

Tuesday, June 4, 2013

Seek questions


"Instead of focusing on trying to find a solution to your situation or problem, ask questions about it. The more you explore through questions, the more likely you are to stumble on a good idea." Oflow.
Keep asking yourself questions, about what your trying do for a project. Or a problem is. And come across a idea of your own that you can use.

Monday, June 3, 2013

Set smaller goals


"Identify what you're trying to do and then break it down into smaller goals. Write the goals down somewhere and check one off as you complete it as a way of monitoring your creative progress."
Oflow
I have a great example for this one. Every week on Thursdays I get to see what my weekly paycheck is. So when I do see it, I get to see what bills I have to pay for the week. And then break down my paycheck, and my bills. And then when I'm done I get to see what I have left over for the weekend.

Make an analogy

In his book, "The Element," Sir Ken Robinson explains: "Growth comes through analogy, through seeing how things connect rather than only seeing how they might be different."  Oflow

Through this passage of Oflow. Seeing things for there similarities, and not the difference of it. Try also looking at what your trying to do from more than one angle and see what you can come up with. This process may take awhile to get it fully, but yet most of the time its worth it.